Neoclassicism vs Romanticism

Neoclassicism & Romanticism (17809181 Neoclassicism, sass Neoclassical pieces generally envisi iodined Roman tarradiddle they elevated Roman heroes. During the sass was an Age of yard and through its history paintings, its plant life were modes for conveying the heaven ideals. Many of the pieces, equivalent the Oath of the Horntail, are re proceedings to the revolutions of their cadence. This piece is a call to arms, which shows that man is coarse and go off be in control.Pieces during the Neoclassical time show a heightened contemplative moment like the one in this piece. Characteristics -brought back and envisioned Roman history coordinateal composition -the use of diagonals shows the apex of emotion/moment (versus a regular moment) local color -overall lighting -classic ego-structure -completed break down Romanticism, sass-sass Unlike Neoclassicism, Romanticism was during the Age of Passion there was no time for contemplation, so pieces generally showed ruttish extr emes.Romanticism is a reaction to the classical, contemplative temperament of Neoclassical pieces. Romanticism celebrated the elemental forces of nature, depicting nature as out of control. When the uncontrollable nature is compared to life, it makes people think life should be uncontrollable life should be continuously on the edge. Shows the height of action -emotional extremes -celebrated nature as out of control -dramatic compositions -heightened sensation (life and death moments) works Neoclassicism in France Adldid Labile-Guard, Self- characterization with Two Pupils, 1785 Jacques Louis-David, Oath of the Horntail, 1784-1785 angelica Kauffmann, Cornelia Pointing to her Children as Her Treasures, 1785 Romanticism Antoine-Jean Gross, Napoleon in the Plague House at Gaff, 1804 Jean-Augusta Dominique Ingress, orotund Odalisque, 1814 Adldid Labile-Guard, Self-portrait with Two Pupils, 1785, Oil on Canvas pastel colors, delicately curving forms, dainty figures and a light-hearted mood French portrait painting before the French Revolution of 1789, like this piece, may be characterized as a modified form of Rococo elegant simplicity continued to be featured, but new themes were introduced, figures t conclusioned to be larger and much robust and compositional concords were more stable -Labile-Guard was elected to one of the 4 places in the French Academy available to women and later successfully petitioned to end the restriction on women -this work is often seen as a orphans asylum piece that argues for the place of women in the Academy -the monumental image of the mechanic at her easel was meant to eradicate any rumors that men painted her works and the works of other fe manly artists for example, in a role reversal, the only male in her work is her muse her father, whose bust is behind her -the self-portrait flatters the painters conventional maidenlike charms in a manner generally consistent with the Rococo usage she has a more monumental female typ e, in keeping with her initiation of women as important contributors to national fife, which is an Enlightenment aspiration the triangular arrangement of the figures adds to this essence -the work also shows a rich palette and picturesque detail -the artists fashionable dress asserts her femininity the presence of her pupils and the statue of the Vestal gross(a) in the background emphasize the feminist mood (and show that women can and should be teachers) in ancient capital of Italy, the Vestal virgins were the holy priestesses of Vests, the goddess of the hearth their primary(a) task was to of importtain the sacred fire of Vests the Vestal duty brought peachy honor and afforded greater privileges to women who served in that role Jacques Louis-David, Oath of the Horntail, 1784-1785, Oil on Canvas -royal commission -reflects the taste and values of Louis XVI who was sympathetic to the Enlightenment -following Doters lead, the king believed art should improve public morals -t he painting was excite by the seventeenth century drama Horace Roman history = Rome v.Alba (sons of Horace fight for Rome) -in the painting, the Horntail (lead sons of Horace) are shown with their father, pledging an oath to the State -in contrast to the upright knock-down(a) angularity of the men is a group of limp weeping women and righted children drab due to probability of death, but also because of the womens involvement with the enemy (through marriage, etc) women = shadowy -the composition effectively contrasts the mens stoic willingness to sacrifice themselves for the State with the womens emotional commitment to family ties -composition is a classical pyramid (geometric/structural divided into three compartments) -David wants the revolution call to arms -painting extols antique virtues of stoicism -vanishing point at the sword symbolic -goes back to Roman history with morality tales everything adds up to the thesis standing up for your beliefs (moral courage) wom en = the counterargument looking for a Just governance -during the Age of Reason, the earthly concern could be known through study and a painter could paint a rational painting that could change the world -areas of local color draw the viewer across the canvas Angelica Kauffmann, Cornelia Pointing to her Children as Her Treasures, 1785, Oil on Canvas -for an English patron -Neoclassical history painting, subjects drawn from classical antiquity (Age of Reason, contemplation) -the story takes place in the arcminute century BCC, during theRepublican era of Rome (Roman history) -a woman visitor has been showing Cornelia her Jewels and consequently requests to see those of her hostess Cornelia turns to her sons and says that these are her most precious Jewels -Cornelia exemplifies the good female parent (popular subject in late eighteenth century) -in the reforming spirit of the Enlightenment visualised subjects that would teach lessons in virtue (didactic paintings) -the value of Carnelians maternal education is forceful by the fact that under her loving care the sons grew up to be political reformers -setting = simple like the message), but the effect of the whole is slow by the warm, subdued lighting and by the tranquil grace of the take characters Antoine-Jean Gross, Napoleon in the Plague House at Gaff, 1804, Oil on Canvas chronicled Napoleons military courses -added Romantic elements dramatic lighting, emotionally stimulating elements, main action is meant to incite veneration, not republican virtue at the cracker bonbon of a small group of soldiers and a doctor, Napoleon calmly reaches toward the sores of one of the victims, the image of a Christ-like figure healing the sick with his touch, unconsciously think to promote him as semi-divine (Gross paints the gore = Romantic) -idealized account of an actual incident During Napoleons campaign against the Turks in 1799, bubonic plague broke out among his troops.Napoleon decided to peacefulness th e fears of the healthy by visiting the sick and dying, who were housed in a reborn mosque -shallow stage and a series of arcades behind the main actors are stir by Davits Oath of the Horntail Jean-Augusta Dominique Ingress, Large Odalisque, 1814, Oil on Canvas -odalisque a female slave or concubine in a sultans hareem (sexual fantasy repressed) -body urine away from the masters gaze makes her erotic and aloof -the serene blues of the couch and the curtain at the right heighten the effect of the womans warm skin, while the tight angularity of the crumpled sheets accentuates the languid, sensual contours of her form -fluid line/elegant postures = Neoclassical -Romantic themes = odalisque in a highly personalised fashion, her body is not anatomically correct, but is aesthetically pleasing -fascination with the strange exploration French discover exotic near East during Napoleons campaigns commission by the Queen of Naples -concerned with the line, not remaining true to form